Tuesday, April 2, 2013

Music #353 - Bellini

Vincenzo Bellini

[vinˈtʃɛntso belˈliːni]  (1801 – 1835)

The youngest member of the trio (with Rossina & Donizetti) of early Romantic Italian opera composers.

Known for his long-flowing melodic lines, for which he was named "the Swan of Catania", Bellini was the quintessential composer of bel canto opera.

The greatest works of this Italian opera composer are:
I Capuleti ed i Montecchi / The Capulets and the Montagues;
La sonnambula;
Norma;
I puritani.



La sonnambula / The Sleepwalker

- tale of sleepwalking girls 

(L) "Ah! non credea mirarti" (Amina)     
  
(R) "Prendi, l'anel ti dono" (Elvino)




Norma 

- tale of Druid priestesses
- Norma in her priestess's robes is hauntingly dramatic heroine

"Casta Diva" / "Chaste Goddess" aria
- the priestess heroine's great invocation to the moon
- the supreme bel canto aria in the repertoire
(L) long believed impossible to perform, it was revived by Joan Sutherland
 
(R) Maria Callas's performances in Norma were a career highlight,
showing her at her best, both as a singer and as an actress  
 



I puritani / The Puritans 

- based on Sir Walter Scot's Old Mortality, set during the English Civil War


EXTRA: The 2009 film The Young Victoria includes an episode in which Prince Albert is told that I puritani is the favorite opera of Queen Victoria (which indeed it was), who recently came to the British throne, and, in courting her, he claims that it is his favorite too. Victoria, however, sees through his gambit – but in the end agrees to marry him anyway --- [She found him 'beautiful, and so excessively handsome, and had him fathered 9 children.] 


Source: Wikipedia


Monday, April 1, 2013

Music #352 - Donizetti

Domenico Gaetano Maria Donizetti

[doˈmeːniko ɡaeˈtaːno maˈria donidˈdzetti]  (1797 – 1848, Italian)

Gaetano Donizetti wrote 65 operas, a dozen of which are still an important part of the operatic repository.

Along with Bellini and Rossini, he was a leading composer of bel canto operas, that celebrated the beauty of the human voice in long, expressive melodies and vivid, elaborate coloratura (花腔) ornamentation.

His best-known operas are:
* L'elisir d'amore, Lucia di Lammermoor, and Don Pasquale - in Italian
* La favorite and La fille du régiment - in French


L'elisir d'amore / The Love Philtre

Full opera (2h)

Una Furtiva Lagrima aria
 


Lucia di Lammermoor / The Bride of Lammermoor 

- based on Sir Walter Scott's tragic novel
- the opera is most remarkable for his scoring for coloratura soprano in Lucina's scenes and arias 

(L) Il dolce suono (“The Sweet Sound”) aria
- Lucia in her bloodstained nightgown is hauntingly dramatic heroine
 
(R) The Diva Dance aria 
- excerpt from the “Fifth Element” (1997 movie)


Don Pasquale

- written for the four great bel canto singers of the Théâtre Italien
 
"Tornami a dir che m'ami"
("Come back and tell me that you love me") duo

La favorite / The Favorite

 


La fille du régiment 

 


Music #351 - Rossini

Gioachino Antonio Rossini

[dʒoaˈkiːno anˈtɔːnjo rosˈsiːni]  (1792 – 1868)
- nicknamed "The Italian Mozart"
- the greatest opera composer of the 1810s through to the 1830s

He was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. Until his retirement in 1829 (at an early age of 37), Rossini had been the most popular opera composer in history.

His comic operas bubble with invention and fun.
His serious operas have great melodic beauty and superb writing for both voice and orchestra.

His innovations included:
- the revitalization of opera buffa 
- the replacement of keyboard-accompanied recitative by orchestral accompaniment, creating an uninterrupted flow of music 
- the expansion of the chorus and its dramatic integration
- the development of the coloratura aria

His best-known operas include
* the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella)
* the French-language epics Moïse et Pharaon (Moses and Pharaoh) and Guillaume Tell (William Tell).


Il barbiere di Siviglia opera

(The Barber of Seville)
* Overture 

* Largo al factotum della città (Make way for the city factotum) - aria
Figaro, the barber, approaches singing.  Since Figaro used to be a servant of the Count, the Count asks him for assistance in helping him meet Rosina, offering him money should he be successful in arranging this.

 
Full opera (2.5 hours)


Guillaume Tell  (William Tell) opera

Today, the opera is remembered mostly for its famous overture:

(L)  Ranz des Vaches
 
(R)  Finale 
Bonus:  
* The Lone Ranger version 
* 'Happy Valley' version
* erutrevO lleT mailliW - a backward version  
* The Mom Song version


La Cenerentola opera

(Cinderella)


Music #350 - ROMANTIC ERA

A great book on ...
THE GREAT COMPOSERS
written by Wendy Thompson
published by Hermes House


The Romantic Era (c.1815-1910)


Music Sets #351 - 366

Key features of Romantic music:-
* strong association with poetry and drama of the great literary figures of the time, expressing ordinary human emotions - love, happiness, sorrow; e.g. Goethe's Sorrows of Young Werther. 
* a response to nature, especially in its wilder aspects.  
* its emphasis on the individual - either the composer or the performer.

Italian opera in the early 19th century was dominated by 3 composers: Rossini, Donizetti, and Bellini. 
* These three laid the foundations for the work of Verdi.
* These three were great bel canto composers; bel canto, meaning "beautiful singing", was the great vocal tradition of 19th-century Italian opera

Syphilis, together with tuberculosis, put a premature end to many a flourishing Romantic talent.


Source: The Great Composers


“The Romantic era was one of extremes, 
with composers not only looking back to the past 
but also abandoning classical conventions and 
experimenting with new and daring harmonic language and form.”
 
“Most Romantic composers composed not only concert music 
but also music for amateur use.”
“Far more homes now owned a piano. 
There was a consequent demand for music 
that could be played in the home, 
and many orchestral and operatic works were arranged for the piano. 
The piano is one instrument that symbolizes the Romantic period.”

Monday, March 4, 2013

Music #349 - Other Composers of the Era

Some Other Composers of the Classical Era

Luigi Boccherini 

(1743-1805, Italian-born Spanish)

Boccherini is most widely known for one particular ...
* minuet (mvt.3) from his String Quintet, Op. 11, No. 5
* aka Celebrated Minuet



Christoph Willibald Gluck  

(1714–1787, German)
Gluck playing his clavichord  
- Joseph Duplessis (1725–1802, French)
- oil on canvas (100 x 80.5 cm) 1775
- Kunsthistorisches Museum (Vienna)
Gluck brought reforms to opera. Expousing a more continuous texture in which music served the poetry and drama of the libretto, he employed vivid characterization, simple plots, and large-scale planning of music to bring universal human themes and emotions to life.
        With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria (serious opera, contrast to opera buffa / comic opera) had enjoyed for much of the century.

Orfeo ed Euridice / Orpheus and Eurydice 

Orpheus /ˈɔrfiːəs/ loved his wife Eurydice /jʊˈrɪdɨsiː/ dearly and tried to bring her back from the dead with his enchanting music.
 
Ouvertüre

(L) Dance of the Blessed Spirits
 
(R) Aria: Senza un addio?

Alceste  

/Alkēstis/ 
- an Athenian tragedy by the ancient Greek playwright Euripides
- Alceste sacrificed her own life to save her dying husband King Admetus

La Rencontre Imprévue

- opéra comique style, incorporating spoken dialogue
- set in Cairo, it features a “harem escape”, a plot much popular then in Vienna fascinated by Islam and by Turkish music 
Ouvertüre

Iphigénie en Tauride

Gluck's finest work, the music is dramatic, expressive, and almost symphonic in its orchestration.
 2 hours

(1714-1788, German) 
He bridged the gap between the Baroque style of his father, J.S. Bach, and the Classical style of Haydn and Mozart.

Magnificat in D (WQ215)

CPE Bach adapted the same key and text of his father's Magnificat, and achieved more homophonic and melodious effects.

Flute Concerto in G (WQ169)

1 of 5 flute concertos adapted from Bach's keyboard compositions.

Symphony in E b (WQ179) 

In new Classical style, with its light homophonic (rather than polyphonic) effects.

When Carl Czerny

 went to study with Beethoven, he was required to purchase C.P.E. Bach's True Art of Keyboard Playing, which is now perhaps better known than any of his music.



Johann Christian Bach

(1735-1782, German)
- aka “the London Bach”, “the English Bach”
- the 18th child of J.S. Bach
(L) Symphonies for Double Orchestra, Op. 18
(R) Concerts performed at
 the Hanover Square Rooms in London,
featuring many fashionable musicians,
were popular in the 18th century.



François-Adrien Boieldieu 

[fʁɑ̃.swa a.dʁiɛ̃ bwa.ɛld.jø]  
 (1775–1834, French)
- a composer mainly of operas, often called "the French Mozart"
* 
Concerto for Harp and Orchestra, Mvt.1



Leopold Mozart

(1719-1787, German)
- father of Wolfgang Amadeus Mozart
* Symphony in G “Neue Lambacher”



(1717–1757, Czech)  
 He is known for his 58 surviving symphonies, which established the four-movement pattern and the Classical style.



J. G. Albrechtsberger 

(1736-1809, Austrian)
- a great organist and a prolific composer
- one of Beethoven's teachers



Giovanni Paisiello 

(or Paesiello; 1740–1816, Italian)
- the most popular opera composer of the late 1700s 
- his style influenced Mozart, Rossini, Bellini, Donizetti
Portrait of Giovanni Paisiello
- Élisabeth Louise Vigée Le Brun  (1755–1842, French)
- oil on canvas (130.8 x 98.3 cm) 1791
- Versailles (Paris)
He is pictured here with the score of his Nina opera on the clavichord. 

Nina opera

“Nina, o sia La pazza per amore” 
(Nina, or Madly in Love) 




Jean-Paul-Égide Martini

(1741-1816, French)

(L) Plaisir d'amour
 
(R) Can't Help Falling in Love


Muzio Clementi

(1752–1832, Italian-born English)

Abandoning traditional 2-movement sonatas, Clementi initiated 3-movement forms. 
* 6 Sonatinas for Piano, Op. 36, No. 1 



A Concert (in France)
- Giovanni Paolo Panini (1720-1812, Italian)
- oil on canvas (155 x 119 cm) 1751
- Dickinson Gallery (London, New York)


Source: Wikipedia


Music #348 - Schubert - songs

Franz Schubert 

[ˈfʁants ˈʃuːbɛɐ̯t]  (1797 – 1828)


Schubert composed many songs, too. (歌曲之王)


Wiegenlied 

"Schlafe, schlafe, holder, süßer Knabe" / "Cradle Song"


Heidenröslein 

"Little Rose of the Field" 《野玫瑰🌹》
- a poem by Johann Wolfgang von Goethe


Die Forelle 

"The Trout" 《鳟魚》


Erlkönig 

"alder king" 《魔王》
- based on a poem by Johann Wolfgang von Goethe
It depicts the death of a child assailed by a supernatural being, the Erlking. 
“這首敘事歌曲層次清晰、結構新穎、合聲巧妙、色彩濃烈,舒伯特用簡潔詩化的音樂語言描繪出栩栩如生的人物、激蕩感人的情節、使抒情性與戲劇性達到了最高統一。
    “其中,鋼琴的前奏、間奏、尾奏不僅起着連結功能,而且極富造型魅力、是深刻表現人物內心情感的重要手段。
    “是舒伯特六百餘首藝術歌曲中最著名的一首,也是戲劇性、藝術性最強的一首,體現了舒伯特藝術歌曲創作的最高成就。”


Der Hirt auf dem Felsen 

The Shepherd on the Rock", D. 965
- a famous Lied for soprano, clarinet, and piano


An die Musik 

"To Music"  
(L)  José van Dam (tenor)
 
(R)  Felicity Lott (soprano)


Song cycles

Dietrich Fischer-Dieskau is a pre-eminent Lieder singer:
* Die schöne Müllerin / The Fair Maid of the Mill《魅力的磨坊女》
* Winterreise / Winter Journey 《冬之旅》- in winter, a traveller journeys out of town, dwelling on memories of an unfaithful lover
Score:
(from his "Swan Song" collection)




Background of 'Ave Maria':

In 1810, Sir Walter Scott published The Lady of the Lake, an epic poem of 6 cantos, concerning the actions in 6 days, during a war between the lowland Scots and the highland clans. 
     'The Lady' was Ellen Douglas, and 'the Lake' was Loch Katrine in the Scottish Highlands.
     In Canto Three, Ellen was praying to the Virgin, singing 'Ave Maria'. This poem was then loosely translated to German, based on which Schubert composed 7 songs. 
     The 6th song is the 'Ellen’s third song' or 'Hymn to the Virgin'. It was later adapted to use the full lyrics of the Latin Ave Maria. It has then become one of Schubert’s most popular works under the title Ave Maria, in arrangements with various lyrics.


= = = = =
Bonus:

'Hail to the Chief'

     In Canto Two, they sing the boat song “Hail to the Chief”.
     Based on that, London songwriter James Sanderson, in 1812 wrote a song (from an original Scottish Gaelic melody), which was soon adapted as an anthem or fanfare for the POTUS (after rounds of ruffles and flourishes).
 



Music #347 - Schubert - music

/SHOE-bert/   (1797 – 1828)

An Austrian composer, Schubert represented a turning point in musical history. While his own musical style was essentially Classical, his inspiration looked forward to the age of Romanticism.

List of compositions by Schubert by genre


 
(R) Schubert at the Piano II
- Gustav Klimt (1862–1918)   
- oil on canvas (150 x 200 cm) 1899
- destroyed by a fire in 1945
at Schloss Immendorf (Austria)
* No. 3 of 6 - Horowitz (piano)   
Schubert composed 6 moments musicaux: 
a collection of 6 short pieces for solo piano.

 


Marche Militaire  

* No. 1 of 3


Arpeggione Sonata 

- cello and piano
* Mvt 1:  Allegro moderato
* Mvt 2:  Adagio
* Mvt 3:  Allegretto
 An arpeggione is a 6-stringed cello-like instrument.


String Quartet No. 14 

- "Death and the Maiden", D.810
* by Alban Berg Quartet


- Piano Quintet
(A double bass is added instead of the more usual second violin.)
* Mvt 1:  Allegro vivace  
(With the double bass, the piano does not need to provide a bass line.)
* Mvt 2:  Andante  
(The second half repeats in a different key.)
* Mvt 3:  Scherzo: Presto  
* Mvt 4:  Andantino – Variations – Allegretto
(Variations on Schubert's 1817 song "Die Forelle"/The Trout)
* Mvt 5:  Allegro giusto


Wanderer Fantasy - II.


Symphony No.8

- aka the "Unfinished" symphony
* First Movement: Allegro moderato
* Second Movement: Andante con moto
Only the first two movements are completed; the third movement was sketched, and the fourth probably never written.
    In 1928, 100 years after his death, a special commitment was established in Vienna, attempting to complete the last two movements. Soon they declared the "unfinished symphony" complete and perfect.
    This is the most famous of his 10 symphonies, and is comparable to Beethoven's. 


Symphony No. 9

- aka the "Great"
Mvt.1 Andante - Allegro ma non troppo - Piu Moto
Mvt.2 Andante con moto in A minor
Mvt.3 Scherzo. Allegro vivace  Trio in C major/A major
Nvt.4 Allegro vivace
* by Wiener Philharmoniker


Drei Klavierstücke

* Three Impromptus piano pieces
   - Impromptu №3

Piano Trio in E-flat

II. 
 


Erlkönig D.328

- arranged by Géza Zichy for left hand