Post-Impressionism
The term was coined by Roger Fry (1866–1934, English painter and critic).Paul Cézanne (1839–1906, French)
The Artist's Father, Reading "L'Événement" - Paul Cézanne - oil on canvas (199 x 119 cm) 1866 - National Gallery of Art (Washington) |
A palette knife painting.
The Abduction - Paul Cézanne - oil on canvas (90 x 117 cm) 1867 - Fitzwilliam Museum (Cambridge) |
Chateau Noir - Paul Cézanne - oil on canvas (74 x 96 cm) 1900-04 - National Gallery of Art (Washington) |
Still Life with Apples and Peaches - Paul Cézanne - oil on canvas (81 x 100 cm) c.1905 - National Gallery of Art (Washington) |
Georges Seurat (1859–1891, French)
A Sunday Afternoon on the Island of La Grande Jatte - Georges Seurat - oil (208 × 308 cm) 1886 - Art Institute of Chicago |
This work altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of late 19th-century painting.
Models (Bathers) - Georges Seurat - oil on canvas (200 × 250 cm) 1887 - Barnes Foundation (Philadelphia) |
Note that on the left wall is the “Sunday Afternoon” painting above.
The Lighthouse at Honfleur - Georges Seurat - oil (67 x 82 cm) 1886 - National Gallery of Art (Washington) |
Vincent van Gogh (1853–1890, Dutch)
Bedroom in Arles - Vincent van Gogh - oil on canvas (72 x 91 cm) 1888 - Van Gogh Museum (Amsterdam) |
Farmhouse in Provence - Vincent van Gogh - oil on canvas (46 × 61 cm) 1888 - National Gallery of Art (Washington) |
Henri de Toulouse-Lautrec (1864–1901, French)
Quadrille at the Moulin Rouge - Henri de Toulouse-Lautrec - oil & gouache on cardboard (80 x 61 cm) 1892 - National Gallery of Art (Washington) |
Rue des Moulins - Henri de Toulouse-Lautrec - oil on cardboard on wood (83 x 61 cm) 1894 - National Gallery of Art (Washington) |
The Medical Inspection at the Rue des Moulins Brothel
Source: Wikipedia
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