Johannes Cuspinian(1473–1529, Austrian) was dean and professor of medical school at the University of Vienna. He was in dean's red hat and professor's robe.
His wife Anna wore a bride's garment.
A Stag Hunt with the Elector Friedrich the Wise - Lucas Cranach the Elder - oil on lime (80 x 114 cm) 1529 - Kunsthistorisches Museum (Vienna)
A stag hunt of Emperor Maximilian I (bottom right middle) with with the Elector Friedrich the Wise (bottom middle).
Adam and Eve - Lucas Cranach the Elder - oil and plank (191 × 70 cm, 191 × 70 cm) 1530 - Norton Simon Museum (Pasadena)
Venus in a Landscape - Lucas Cranach the Elder - oil on panel (38 x 25 cm) 1529 - Louvre (Paris)
Dead and the Miser - Hieronymus Bosch - oil on oak panel (93 x 31 cm) 1485-1490 - National Gallery of Art (Washington, D.C.)
Part of a triptych, it is a memento mori painting, meant to remind the viewer of the inevitability of death and the futility of the pursuit of material wealth, illustrating the sin of greed.
The Haywain Triptych - Bosch - oil on oak panels (135 × 200 cm) c.1516 - Museo del Prado (Madrid)
When the two wings of The Haywain Triptych are flipped to shut it, their painted backs form a single scene depicting a wayfarer (see below).
Around him is a series of miniatures including the robbery of another wayfarer and a hanged man. The man uses a stick to repel a dog.
The Path of Life (aka The Pedlar) - Hieronymus Bosch - oil on panel (135 x 90 cm) 1510-16 - Museo del Prado (Madrid)
According to the most recent interpretations, this figure may represent the man who follows his road in spite of the temptation of sins (such as lust, perhaps symbolized by the two dancing shepherds) and the evil acts occurring around him.
It is a tender but unflinching study of his mother, Barbara Holper (c. 1451–1514), completed while she was gravely ill, two months before she died. Dürer was close to his mother and after her death wrote that she had "died hard" and that "I felt so grieved for her that I cannot express it". She gave birth to 18 children, of which only 3 lived.
The Painter's Father - Albrecht Dürer - oil on lime (51 x 40 cm) 1497 - National Gallery (London)
Along with the 1490 "Albrecht Dürer the Elder with a Rosary", it is the second of two portraits of the artist's Hungarian father Albrecht Dürer the Elder (1427–1502).
Dürer's Self-Portraits
Self-Portrait at 13
- Dürer
- oil on panel (67 x 49 cm) 1484
- Alte Pinakothek (Munich)
Drawing from his own image in a mirror.
Self-Portrait at 22
- Dürer
- oil, originally on vellum (57 x 45 cm) 1493
- Louvre (Paris)
Said to be the first ever self-portrait in oil.
The plant in his right hand represents male integrity.
Self-Portrait at 26
- Durer
- oil on panel (52 x 41 cm) 1498
- Museo del Prado (Madrid)
Self-Portrait at 28
- Dürer
- oil on panel (67 x 49 cm) 1500
- Alte Pinakothek (Munich)
(L) Self-Portraits of Albrecht Dürer
(R) Albrecht Dürer the artist
Monument of Albrecht Dürer - designed by Christian Rauch - cast by Jacob Burgschmiet - 1828-1840 - Albrecht-Durer-Platz (Nuremberg)
The first German statue for artist.
Source: Wikipedia
Emperor Maximilian I - Dürer - oil on lime panel (74 x 61.5 cm) 1519 - Kunsthistorisches Museum (Vienna)
Portrait of Nuremberger Painter Michael Wolgemut - Albrecht Durer - oil on panel () 1516 - Germanisches Nationalmuseum (Nuremberg)
Young Dürer learnt engraving whilst working in his workshop for three years.
The fourth woodcut of the Apocalypse series The Four Horsemen of the Apocalypse (1498) - Albrecht Durer
They were about to destroy the world.
St Jerome - Albrecht Dürer - woodcut (19 x 13 cm) 1492 - Kupferstichkabinett, Öffentliche Kunstsammlung (Basel)
Saint Jerome in His Study - Albrecht Dürer - copper engraving (24 × 19 cm) 1514 - Kupferstichkabinett (Dresden)
Knight, Death, and the Devil (part of Meisterstiche) - Albrecht Dürer - copper engraving print (25 × 10 cm) 1513 - National Gallery of Art (Washington DC)
Melencolia I(Part of Meisterstiche) - Albrecht Dürer - copper engraving print (24 x 19 cm) 1514 - Minneapolis Institute of Art (Minneapolis)
The Rhinoceros - Albrecht Dürer - woodcut (24 × 30 cm) 1515 - National Gallery of Art (Washington)
- Albrecht Dürer - oil on panel altarpiece (162 × 192 cm) 1506 - National Gallery (Prague)
The coronations of Madonna, (L) Pope Julius II, and (R) emporer Maximilian I. Durer painted himself, holding a piece of paper under a tree, to the right top corner.
Virgin and child with a pear (Madonna and Child) - Albrecht Dürer - oil on panel (49 x 37 cm) 1512 - Kunsthistorisches Museum (Vienna)
Adoration of the Trinity - Albrecht Dürer - oil on poplar panel (135 x 123 cm) 1509-11 - Kunsthistorisches Museum (Vienna)
Dürer is shown alone on Earth.
The Four Apostles - Albrecht Dürer - oil on lindenwood (each panel 215 x 76 cm) 1523-26 - Alte Pinakothek (Munich)
L-R: Saints John and Peter; Saints Mark and Paul.
The Bibles they are holding are in German.
Adam and Eve - Albrecht Dürer - oil on panel (209 × 81 cm, 209 × 83 cm) 1507 - Museo del Prado (Madrid)
Adam and Eve - Lucas Cranach the Elder - oil and plank (191 × 70 cm, 191 × 70 cm) 1530 - Norton Simon Museum (Pasadena)
Dürer's study of human proportions
(L) 三庭五眼:
Dürer often used multiview orthographic projections:
Dürer's perspective (3D to 2D) converter:
This woodcut by Dürer illustrates projective geometry idea of Leon Battista Alberti (1404-72):
Source: Wikipedia
EXTRA: Perspective
The first known picture to make use of linear perspective:
Brancacci Chapel (Baptistery in Florence)
- Fillipo Brunelleshi (1377-1446, Florentine architect)
& Masaccio in 1415
Perspective was applied to this painting:
Madonna with the Child
(and Scenes from the Life of St. Anne)
- [Fra'] Filippino Lippi (c.1406-1469, Italian)
- oil and tempera on wood (135cm dia.) in 1452
- Museums of Florence
The painter (a monk) and the sitting model (a nun) fell in love, giving birth to a boy and a girl. The Pope pardoned them because of his painting talent, and allowed them to get married. The boy grew up to be another painter with the same name as his father.