Tuesday, August 9, 2011

Music #38 - Swing Jazz

Swing Jazz 

(1934-1945)

The swing era: big bands (with more than 10 performers), in large ballrooms, for dancers and jitterbugs.  Swing provided an escape from those political and social pressures due to the Great Depression, triggered by the Wall Street Crash of 1929

Whilst you enjoy the following music, see if you could identify its arrangements and jive/mellow:
* the “jive” (hard jazz) swung hard
* the ballads (tender love songs) were “mellow

Benny Goodman, the “King of Swing”
Sing, Sing, Sing again 
The Benny Goodman Story (1956) is a very good movie, with a very good love story. I recommend it to you.
* In the movie Goodman also played the Mozart Clarinet Concerto

Duke Ellington
C Jam Blues   
Satin Doll   
William “Count” Basie
Blues Alley   

Lester “Pres” Young --- What do you think this nickname “Pres” stands for? Correct!
Jammin' the Blues  with traces of Country and Western Dance? 
Fine and Mellow  with singer Billie Holiday
Back in Your Own Backyard  with singer Billie Holiday

Billie Holiday
The Blues Are Brewin'  with Satchmo
Gloomy Sunday  --- The Hungarian Suicide Song

Ella Fitzgerald
Summertime   
Misty   
Sarah Vaughan
The Sassy One    





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Notes:
A big-band (more than 10 performers) typically has 4 sections by instrument types:
* saxophone (or, sax) – 3 to 5 – players often double on clarinet or flute
* trombone – 3 to 4 – using mutes
* trumpet – 3 to 4 – using mutes
* rhythm – piano, string bass, drums, rhythm guitar
There are 3 big-band arrangements:
* tutti – all brass (trombone, trumpet) and reed (sax, clarinet) sections to plat together to create a unified texture
* soli – one section (e.g. saxes) playing together, accompanied only by the rhythm section
* shout chorus – integrates the soli activities at the climax

The most common arrangements:
* the saxes to state a melody while the trumpets play short rhythmic chords (shouts)
* the trombones either join the trumpets in the shouts, or supply a counter-melody to the saxes – usually near the end of an arrangement.

How the rhythm section swings


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