Titian
Tiziano Vecelli
(Venetian, c.1490–1576)- Titian
- oil on canvas (96 x 75 cm) c.1546-47
- Gemäldegalerie (Berlin)
Self-Portrait
- Titian
- oil on canvas (86 × 65 cm) c.1567
- Museo del Prado (Madrid)
- Titian
- oil on canvas (86 × 65 cm) c.1567
- Museo del Prado (Madrid)
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(aka Venus and the Bride)
- Titian - oil on canvas (118 x 279 cm) 1514 - Galería Borghese (Roma) |
It perhaps depicts the bride dressed in white, sitting beside Cupid and being assisted by Venus in person.
The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten (with his coat of arms appears on the sarcophagus or fountain in the centre of the image) to celebrate his marriage to Laura Bagarotto.
The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten (with his coat of arms appears on the sarcophagus or fountain in the centre of the image) to celebrate his marriage to Laura Bagarotto.
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| Pastoral Concert - Titian - oil on canvas (105 × 137 cm) 1509 - Louvre (Paris) |
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| Flora - Titian - oil on canvas (80 × 63.5 cm) c.1515 - Uffizi Gallery (Florence) |
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| Penitent Magdalene - Titian - oil on canvas (85 × 68 cm) c.1531 - Palazzo Pitti (Florence) |
Again and again:
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(L) c.1550 (R) 1565
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| Assumption of the Virgin / 聖母升天 - Titian - oil on panel (690 × 360 cm) 1516-18 - Basilica di Santa Maria Gloriosa dei Frari (aka The Frari) (Venice) |
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| The Danaë and the Shower of Gold - Titian & workshop - oil on canvas (135 x 152 cm) 1564 - Kunsthistorisches Museum (Vienna) |
It comprises at least six oil-on-canvas paintings by Titian, completed between 1540 and 1570. The works are based on the mythological princess Danaë:
According to Roman poet Ovid, she was isolated in a bronze dungeon following a prophecy that her firstborn would eventually kill her father. Although aware of the consequences, Danaë was seduced and became pregnant by Zeus (in Roman mythology Jupiter), who, inflamed by lust, descended from Mount Olympus to entice her as a shower of gold.
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| Bacchus and Ariadne - Titian - oil on canvas (176.5 × 191 cm) 1522-23 - National Gallery (London) |
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| The Worship of Venus - Titian - oil on canvas (172 × 175 cm) 1518-19 - Museo del Prado (Madrid) |
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(aka the Dresden* Venus)
- Giorgione (Italian, c.1477/8–1510),completed by Titian - oil on canvas (108.5 × 175 cm) c.1510 - Gemäldegalerie Alte Meister (Dresden*) |
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Portrait of a Young Englishman - Titian - oil on canvas (111 × 96.8 cm) 1540-45 - Palazzo Pitti (Florence) |
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Portrait of Philip II of Spain - Titian- oil on canvas (187 x 98.5 cm) c.1550-54 - Museo di Capodimonte (Naples) |
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| Portrait of the Vendramin Family - Titian - oil on canvas (185 x 202 cm) early 1540s - National Gallery (London) |
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| Portrait of Pope Paul III - Titian - oil on canvas (106 x 85 cm) 1543 - National Museum of Capodimonte (Naples) |
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| Equestrian Portrait of Charles V (Holy Roman Emperor) - Titian - oil on canvas (335 × 283 cm) 1548 - Museo del Prado (Madrid) |
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| Pietà - Titian - oil on canvas (389 × 351 cm) 1575-76 - Gallerie dell'Accademia (Venice) |
Titian Paintings:
Venetian School (Art)
From the later part of the 15th century, Venice had a distinctive, thriving and influential art scene.Beginning with Giorgione (c. 1477–1510) and Giovanni Bellini (c. 1430–1516), major artists of the Venetian school included Titian (1489–1576), Tintoretto (1518–1594), Veronese (1528–1588) and the Bassano (1510–1592).
Considered to bring a primacy of color over line, this tradition was seen to contrast with the Mannerism then prevalent in the rest of Italy.
The Venetian style is viewed as having had a great influence on the subsequent development of painting.
Source: Wikipedia
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